(Trying to be Glen Velez in 2001)
The more I look, the more richness there is to potentially explore in this deceptively simple instrument: variations in dimension, tuning, jingles, and playing techniques. In particular, I have wished to imitate Björn Tollin’s adaptation of kanjira techniques to his tambourine, which started a whole new style in Sweden. I already had a little tambourine but its head was broken, so I bought a cheap tunable one in an import store about six years ago and started experimenting with it.
I’ve been making some progress, but the jingles were too bright. Traditional riqs, tamburelli/tammorre, pandeiros and panderetas all have drier sounding jingles than the conventional tambourine that you’re most likely to find for cheap prices in import shops. It finally occurred to me that I could try to take out the jingles and re-shape them instead of waiting for the day when I had the disposable income to buy a “real” pandeiro.
It was surprisingly easy, with the help of a few pairs of pliers.
Removing the jingles with wire cutting pliers.
Re-shaping them with pliers.
The re-shaped jingles replaced (I only put in four pairs).
I added some little Chinese coins too, for fun.
3 comments:
Here is my favorite drum (tar) being played by my favorite oud/tar player: http://www.youtube.com/watch?v=ANXfqaAFwzA
Syphax, that video is awesome - thank you for the link! I think I should watch that whenever I'm in a bad mood. There's something very spiritually wholesome and uplifting about the tar. And it's good to see more examples of traditional techniques. I think I've been overly concerned about playing in a "correct" style that I've seen in instructional videos.
I love what youtube can bring us.
Hi! Very nice! Here in Brazil we call this instrument a PANDEIRO.
Max
Iron & Ribbon
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